State(s) of the Art: Considering Poetry Today
Edited by Klaus Martens J. Horner: The Medium Is the Message? New Venues for Canadian Poetry in English Canada
D. Cooley: Feminism in Contemporary Canadian Poetry
B. Sentes: Charm Schools: Modes of Petitio Benevolentiae in Contemporary Canadian Poetry
M. Martín: Identity and Language in American Experimental Poetry: The Editorship Venture
M. Brito: Editing Little Magazines of American Poetry: From Poetry for Minorities to Voices of Acceptance
D. Büscher-Ulbrich: The Poet/Poem as Agent Provocateur: Sounding the Performative Dimension of Amiri Baraka’s “Somebody Blew Up America”
M. Pfeiler: Remediating The Making of Americans: A Twenty-First-Century Poetry Film in the Context of Twentieth and Twenty-First-Century Poetry Films and New Media
J. Novak: “Lip Up Fatty!” – Marketing Live Poetry as Popular Culture
S. Sorensen: John K. Samson, Poet Laureate of Winnipeg Rock
M. Oguchi: The Power of Multiplication. A Defense of Poetry in the Age of Hazy Identity
M. Mitsutani: Oral Readings and the Strange State of Poetry in Japan
G. Banita: Poetry and Collective Grief: The Popular Turn to Lyricism after 9/11
M. Peterfy: Between Liberal Push and Sentimental Pull: American Poetry and the Forty-fourth American President
K. Martens: Poetic Progress as Poetic Regress?
Königshausen & Neumann, Paperback, english, 217 pages